Tuesday, March 6, 2012

Western Painting - Neo - Dadaism - Dadaism Revived the American WayWestern Painting - Neo - Dadaism - Dadaism Revived the American Way

Neo-Dadaism - The Concept
Neo-Dada is the term given to the mid 20th century, 1958 to be specific, art movement, including Fine Arts, literature, theatre, and graphic design, which was similar to the earlier Dada artworks. This genre challenged the concept of 'Aestheticism' associated with the traditional form of art and extended the boundaries of the category arts.

The History
In 1960, American art historian & critic Barbara Rose (born 1938) helped promote the term 'Neo-Dada.' The same year, another American art critic Irvin Sandler (born 1925) explained the term as "an avant-garde fad." Two years later, Neo dada was considered the most popular and talked about art movement. An alternate name 'Junk Culture' was also given by English art critic Lawrence Alloway (1926-90) to describe the artwork of the likes of American artists Robert Rauschenberg (1925-2008) and Claes Oldenburg (born 1929).

The Details
In the art mediums other than painting, like performance, dance, films, and Installation Art, Neo-Dadaists used their own bodies as the base. Even unsettling or threatening performances involving destruction, violence, and aggression did not deter them.

Performance Clauses In Entertainment Contracts

Producing and editing a masterwork of recorded music is obviously a specialized art form. But so is the entertainment lawyer's act of drafting clauses, contracts, and contractual language generally. How might the art of the entertainment attorney's legal drafting a clause or contract affect the musician, composer, songwriter, producer or other artist as a practical matter? Many artists think they will be "home free", just as soon as they are furnished a draft proposed record contract to sign from the label's entertainment attorney, and then toss the proposed contract over to their own entertainment lawyer for what they hope will be a rubber-stamp review on all clauses. They are wrong. And those of you who have ever received a label's "first form" proposed contract are chuckling, right about now.

Just because a U.S. record label forwards an artist its "standard form" proposed contract, does not mean that one should sign the draft contract blindly, or ask one's entertainment lawyer to rubber-stamp the proposed agreement before signing it blindly. A number of label forms still used today are quite hackneyed, and have been adopted as full text or individual clauses in whole or in part from contract form-books or the contract "boilerplate" of other or prior labels. From the entertainment attorney's perspective, a number of label recording clauses and contracts actually read as if they were written in haste - just like Nigel Tufnel scrawled an 18-inch Stonehenge monument on a napkin in Rob Reiner's "This Is Spinal Tap". And if you are a musician, motion picture fan, or other entertainment lawyer, I bet you know what happened to Tap as a result of that scrawl.

It stands to reason that an artist and his or her entertainment lawyer should carefully review all draft clauses, contracts, and other forms forwarded to the artist for signature, prior to ever signing on to them. Through negotiation, through the entertainment attorney, the artist may be able to interpose more precise and even-handed language in the contract ultimately signed, where appropriate. Inequities and unfair clauses aren't the only things that need to be removed by one's entertainment lawyer from a first draft proposed contract. Ambiguities must also be removed, before the contract can be signed as one.

For the artist or the artist's entertainment attorney to leave an ambiguity or inequitable clause in a signed contract, would be merely to leave a potential bad problem for a later day - particularly in the context of a signed recording contract which could tie up an artist's exclusive services for many years. And remember, as an entertainment lawyer with any longitudinal data on this item will tell you, the artistic "life-span" of most artists is quite short - meaning that an artist could tie up his or her whole career with one bad contract, one bad signing, or even just one bad clause. Usually these bad contract signings occur before the artist seeks the advice and counsel of an entertainment attorney.

Tattoo You - Considering Your First Tattoo

Considering having your very first tattoo? What should you do now? Certainly, it's never a good idea to dash off to the nearest tattoo design parlor, select a random style and design and then wait in line to be tattooed.

Listed below are important choices that you need to consider before you decide to move forward on that first tattoo.

Do You Actually Need a Tattoo?

A tattoo is actually a life-time commitment to your body, which means you have to be positively 100% sure that you desire one. It might seem that it is the most significant part of the entire world right now, however are you going to actually feel the very same about this tattoo in the long-term?

Alright, body art elimination technology is definitely developing constantly, however it's nevertheless time intensive, costly, as well as very painful. Therefore for the time being it is advisable to consider that your particular tattoo design will undoubtedly be for a lifetime.

The actual Tattoo Design and style

When you have made the decision you absolutely desire a tattoo, the next task is to find the design and style that you would like. You will find countless types of tattoo designs and styles from which to choose, such as dragons, eagles, skulls, floral, butterfly, angel, cherry blossoms, sun-rays, and many others. The majority of tattoo designs are executed as a result of pre-designed templates. It is simply your effort of time selecting the one which you are looking for.

Therefore you may elect to search for a variety of tattoo design from Internet websites, as well as considering tattoo style and design publications and chose the overall style of design that you might like. After you have accomplished this, reduce it all right down to the specific design and style that you would like.

As an alternative, if you fail to discover precisely what you are searching for, or that you desire your own tattoo design to generally be distinctive, you could also consider acquiring an artist to create a customized tattoo design solely regarding you.

This approach will be more costly (probably $200-300 and even higher for your layout, determined by measurement as well as degree of fine detail), even though considerably more popular designs may get the job done and quite a bit cheaper since many tattoo design artists should have experience for creating something especially for you. Nevertheless, you should have total command over the way in which your own tattoo appears, looks, and displays on your body.

The Diary of a Performance Artist

There is a strange part of me that is attracted to Performance Art like some sort of radiator that seeks me out or do I seek it out? When I am out in the cold. Literally. This piece of work was a sort of follow on to the work I did in Cork last November. For that I had prepared some performance poetry but due to time restrictions did not get called on to perform it (possibly just as well as there was very strong poetry produced that night).

I was surprised and delighted to be later invited by La Catedral, The Back Loft Studios for Mamuska, a performance evening on December 13th 2009 which was part of a few days of a mixed bag of cabaret, dance, sound, film, exhibition, comedy and performances. Basically whatever you're having yourself. It was to be fifteen minutes of performance but I was also asked to show my film Crab Murder so the performance had to be culled down considerably. I had to make clear to myself what I wanted to do and yet stick to my own found rules as to what this work was to be.

I found Hedwig Gorski to be my motivational force. Her work in the USA comes from a Polish war torn background and USA sixties Conceptual Art but was very distinct from all other poetry styles of the time. Unlike many of her contemporaries she did not come from a feminist stance and formed poetry designed for oral presentation not print. I added my own slant which is that it is never quite possible to repeat any performance again, each to be unique in its own right.

Stretching and Flexibility for Martial Artists

What does it mean to be flexible?

According to the Merriam-Webster dictionary:

1: capable of being flexed: pliant

2: yielding to influence: tractable

3: characterized by a ready capability to adapt to new, different, or changing requirements

So, looking at the first definition from the perspective of a martial artist, it is obvious that our bodies need to be capable of being flexed. Virtually every movement that we perform either begins or ends with one or multiple joints being flexed. The second definition, "yielding to influence" can have a number of different meanings but, as it pertains to physical flexibility, we may view it as yielding to, deflecting or absorbing energy. The last definition actually describes a primary character trait of martial artists as a whole. It also describes what our bodies must do as we perform the techniques and movements we so enjoy, ie, round kick/hook kick combo.

Therefore, in order to proficiently perform our art, we must possess some level of flexibility, especially if we want to avoid injury.

"..researchers at the New Jersey Medical School recently tested the flexibility of connective tissues and muscles in the legs and hips of 200 college athletes before their competitive seasons began. Then, the researchers monitored the athletes for injury for several months (Archives of Physical Medicine and Rehabilitation, vol 77, pp 1139-1143, 1996).

As it turned out, in male athletes the risk of injury decreased as flexibility increased. In fact, for each additional point on the ligament-flexibility scale (the researchers graded flexibility on a 10-point scale), the chances of injury declined by about 15 per cent. In addition, for each one-point increase in muscle tightness, the risk of injury climbed by over 20 per cent."

As you can see, flexibility is extremely important in mitigating injury.

Some people are naturally more flexible than others. This is due to a variety of factors as there are a number of influences on flexibility (Age, gender, activity level, etc). If you are a person who is naturally flexible - Great! However, those of us who aren't should adopt the habit of stretching regularly to gain the many benefits that stretching provides.

Benefits of Stretching

Overall Fitness - Increased flexibility improves posture, decreases energy used for everyday tasks, allows you to breath more deeply and naturally and therefore helps decrease various stresses throughout the day.

Improved Body Awareness - Stretching creates a distinct sensation in a specific group of muscles. By being mindful of these sensations and muscles, you will develop a greater understanding of how your body works and which muscles are used for various movements/techniques.

Increased Energy - Stretching regularly helps to improve circulation in the muscles, supplying them with needed nutrition and removing harmful waste products.

Focus - Depending on the method you use to increase your flexibility, stretching can be a very meditative activity. Stretching, when combined with deep, controlled breathing, helps to relax the body and can be used to relax the mind as well.

Stress Relief - Stiff necks, sore back, hunched shoulders and headaches are all manifestations of stress. Stretching these problem areas help to bring about an overall reduction in stress levels.

The benefits of stretching for the average person are great. However, if you are a martial artist who wants to reach peak performance, regular stretching is essential.

Methods of Stretching

Static Stretching - Static stretching is the process of lengthening (stretching) the target muscle or group of muscles and then holding it as the muscle relaxes. This is the safest method of stretching and is recommended for those who are just beginning a stretching routine or are recovering from an injury. While performing static stretching, stretches should be held for at least 20 seconds in order for the muscle to relax.

Passive Stretching - Passive stretching (sometimes called partner stretching) is very similar to static stretching except that, instead of you making the effort to stretch, a partner or other device provides the stretch for you. While commonly used for rehabilitation, stretching with a partner does provide an increased level of risk since the partner can not feel the level of stretch they are pushing you to. Always communicate any uncomfortable sensation with your partner and do not allow them to push you to the point of pain.

Active Stretching - Active stretching is performed without any aid. An example of active stretching would be to slowly raise your leg into the final position of a roundhouse kick. This helps to develop flexibility in motion (not achievable with the previous two methods) while at the same time targeting the specific muscles utilized in the technique. Assisted active stretching provide greater gains by having a partner or other aid (towel, elastic band) help you stretch farther once you have reached your max without assistance.

Ballistic Stretching - No longer a recommended means of increasing flexibility, ballistic stretching can be similar to static stretching except that deeper stretches are obtained by bouncing against the targeted muscle. Still commonly seen by people new to stretching, this method of stretching has a high risk of injury due to muscle tears and strains.

Dynamic Stretching - Dynamic stretching utilizes movements that begin very slow and progress to near full speed executions to increase flexibility. Essentially, begin with active stretching and slowly increase the speed of your technique. A good warm-up is recommened to reduce the risk of injury.

PNF Stretching - Proprioceptive Neuromusclar Facilitation (PNF) stretching falls into one of two methods: contract-relax (CR) or contract-relax agonist contract (CRAC). The CR method involved stretching the target muscle, then contracting the targeted muscled gradually for a period of 4-6 seconds, then relaxing and stretching the muscle further. The idea is that the relaxation of the contracted muscle allows for a greater stretch than was originally possible. The CRAC method is similar, except that after the relaxation of the contracted muscle, the opposing muscle (ie, hamstrings/quads) is then contracted for 4-6 seconds followed by a further relaxation into the final stretched position.

Aided Stretching - Stretching machines, bars and cable and pulley set ups are all types of aided stretching devices. These can be beneficial as part of an overall stretching routine but are usually too limited to suffice on their own. Ensure that the aids are working properly and that you are informed on how to use them properly.

Which Stretching Method is Right for You?

With all of these choices, it may be difficult to decide which method(s) is best for you. Here is a quick synopsis of what we have covered to help you decide:

Static stretching is an effective stretching method that is suitable for both beginners and experienced martial artists. However, it does not stretch muscles through their full range of motion and therefore should be supplemented with other types of stretching. Passive (partner) stretching can ensure that a stretch is being obtained but at the risk of injury if the partner careless. Active stretching works a muscle or muscle group through a full range of sport specific movements and is great to use as a warm up to dynamic stretching. PNF Stretching, like static stretching, is considered to be very effective at increasing flexibility.

So, to increase overall flexibility, static stretching or PNF stretching are the most effective methods. However, due to their limited nature, it may be a good idea to add dynamic stretching in order to increase flexibility for those specific techniques that we use in our martial arts.

Very few martial arts classes devote enough time to stretching. Also, most classes begin with a light stretching routine, followed by warm up/basics and then the main body of the class. Unfortunately, this is incorrect on a couple of levels. First off, stretching cold muscles gives very little benefit and actually can significantly increase the risk of injury. It is always recommended to first warm up by performing some light, simple exercises (light jogging, jump rope, jumping jacks, etc) prior to stretching. Additionally, stretching for flexibility should usually occur after the cardio or strength portion of a workout. At any rate, if your goal is to increase flexibility, you are probably going to have to begin a personal stretching routine.

When creating a comprehensive stretching routine, it is important to make sure that all parts of the body are covered.

What muscles should you stretch?

- Neck - Shoulders

- Upper Back - Chest

- Arms - Wrists

- Lower Back - Hip/Buttocks

- Groin - Hamstrings

- Quads - Calves

- Ankles - Feet

A sample stretching program:

Neck Rotations - 8-12 rotations each direction

Shoulder Stretch - 20-30 seconds, 2-3 reps

Wrist Flex - 8-10 times, each direction

Finger Stretches - 10-12 times

Standing Quad Stretch - 20-30 seconds, 2-4 reps

Calf Stretch - 20-30 seconds, 2-4 reps

Foot/Toe Stretches - 20-30 seconds, 2-4 reps

Butterfly Stretch - 20-30 seconds, 2-4 reps

Seated Torso Twist - 20-30 seconds, 2-4 reps

Seated Toe Touch - 20-30 seconds, 2-4 reps

Ankle Rotations - 8-12 rotations

Lying Trunk Rotations - 20-30 seconds, 2-4 reps

Lying Hip/Glut Stretch - 6-8, each side

Lying Reach Stretch - 20-30 seconds, 3-5 reps

These exercises will provide a good complete-body stretch and should take approximately 15-20 minutes to perform. Keep in mind that it may be necessary to supplement or add additional exercises in order to stretch specific muscles used in various martial arts techniques. The book "Ultimate Flexibility: A Complete Guide to Stretching for Martial Arts" is a great resource that covers almost 200 flexibility exercises (with photos) and much more. It also has a number of stretching routines for various types of training (MMA, kicking, weapons, etc).

Final Stretching Tips

- If you are stretching to increase flexibility (rather than simply maintain), make goals!

- Consider making a training record to track your goals and progress.

- If it hurts, Stop! Stretching should be uncomfortable, but not painful.

- Do a light warm-up before stretching and begin stretching with large muscles/groups first

- If you are going to do a strength or cardio workout, save your stretching until after.

- Ensure that you are stretching all areas of the body

- Stretch joints/muscles in every direction they move (ie, stretch shoulders forward, backwards, up, down and in a circular motion)

- Stretch often! Moderate stretching can be done every day but save the intense stretches for every other day.

- Focus on relaxing into the stretch for a better and more effective routine.

- If you are injured, back off on that part of the body. Light stretching can help to maintain flexibility, but don't make it worse.